Truth is, there are enough laughs to entertain, if not enthrall. It's a little off putting to see A Christmas Carol "reimagined" in this manner, but we won't be a Scrooge and say it's all for naught. McConaughey is also relatively solid, but Garner and the supporting characters outshine him, especially Chabert, as a well-meaning woman on the verge of becoming Bridezilla, and Meyer, who adds heart to a frothy script. (Who knew playing sordid could be so fun?) This is the Douglas we adored in Wonder Boys - no spit-shine, no polish, just rough edges with a hint of sleaze. Then there's Douglas, who appears to be channeling both Hugh Hefner and Jack Nicholson. The fact that someone like her would like someone like McConaughey's Connor makes us want to believe in what romcoms sell - love that makes no sense but works anyway. First, there's Garner: Quick with verbal volleys and arch reaction shots, she grounds the movie in girl-next-door goodness. The premise may be tired, the jokes stale, and the script trite ("Pain beats regret every day of the week, and twice on Sunday," for example), but it's actually more amusing than expected thanks to two critical casting choices. The experience changes his attitude and allows him to reconnect with his first and only love, Jenny. GHOSTS OF GIRLFRIENDS PAST hews close to the romantic comedy "rules" - you know where it's going to end within the first half hour. When notorious womanizer Connor Mead attends his brother Paul's wedding, he is forced to re-evaluate his behavior as he comes face-to-face with the ghosts of girlfriends past, present, and future, along with his deceased uncle. Absolutely disgusting and not in touch with reality. What a joke.Īnd the "good" ending at the end doesn't fix any of the issues, the fact is that the movie still glamorizes the playboy lifestyle, dehumanizes the female characters, and sends the wrong message that a womanizer can be "fixed" by the "right woman". And it teaches that he can't be held responsible for his actions because some girl in middle school rejected him, so now he's afraid of commitment. The women in this film aren't even treated as people, but rather as playthings for the protagonist. It teaches horrible pickup tricks that you should belittle and play mind-tricks on women and they'll come crawling to you. He says that honor belongs to 'HouseSitter,' a 1992 movie starring Steve Martin. It's full of stereotypes, portraying women as hysterical, ditzy, and objectifying them at every turn. LeBlanc notes that 'Ghosts of Girlfriends Past' isn't the first movie to use the Martha-Mary Chapel as a film site. If you're watching this with kids, it's extremely inappropriate, and not just because of the constant talk about sex, but rather because it sends extremely harmful messages to boys and girls alike. I don't know in what world this movie passed off as a rom-com, there is nothing romantic or comedic about this film.
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